QuickTime VR (QTVR) Artifact Photography at the
National Air and Space Museum's Steven F. Udvar-Hazy Center
 
 
TOOLS & TECHNIQUES

Learn about the tools and techniques used to create QTVR of aircraft.

Photographing Large Aircraft:


Floor tape marks every 10 degrees for accurate positioning of aircraft as they are rotated.

To create a 360 degree object model (i.e. exterior), the object must be photographed from all sides. This can be done by measuring out a perimeter and setting up a camera at positions around the object, moving the camera one shot at a time, but this is very time consuming, especially if you have to move and setup lighting and other support equipment.

The other option is to keep the camera stationary while rotating the object. To save time, the Museum opted for this technique and setup temporary mobile photography "studios". This enabled a faster, more efficient assembly line technique. As each aircraft arrives at the new facility, it is assembled, prepared and cleaned. The aircraft is then moved into the photography studio, rotated and photographed (both inside and out), and then moves on to be hung for display.

At left are some very early photos of the studio area on the south end of the Steven F. Udvar-Hazy Center. The first aircraft photographed (Monocoupe 110) is shown centered in a circle marked off with tape at every 10 degrees. This is used to position the plane for photography and rotate the plane for each of 36 individual shots. These pictures do not include new cameras and lighting equipment now in use. The large blue tarp hung from the rafters serves as a background. Soon 4 additional cameras (mounted on a boom) will enable overhead views of the objects that will be incorporated into the final QTVR movies.

 
   

Blue backgrounds are used to easily drop out backgrounds during image post-processing.
 
   

Camera setup to shoot the model from "Close Encounters of the Third Kind".
 
   
   
   
   
Photographing Interiors:    


Camera equipment can be automated to enable photos in tight aircraft interior spaces.


Dennis Biela of Lightspeed Media sets up lighting to shoot the cockpit of the Curtiss P-40E Warhawk.

Aircraft interiors are also being photographed for creation of cubic VR, which allows for a complete spherical panoramic view. Many interior spaces are very small and difficult for photographers to work, especially if they have to reach in and adjust everything shot after shot. A custom built, automated tripod head and shutter release system automatically shoots all of the frames needed for the cubic VR - alleviating the need for the photographer to adjust camera angles between shots.  
MORE INFORMATION

CONTACT INFORMATION
Project Info & Image Use:
Vicki Portway
, National Air and Space Museum, Interactive Media Division

Media Inquiries:
Frank McNally
, National Air and Space Museum, Office of Public Affairs

Donation & Sponsorship:
National Air and Space Museum Development Office


STEVEN F. UDVAR-HAZY CENTER

Find out more about the Steven F. Udvar-Hazy Center

 

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