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Aichi Seiran - Ailerons |
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March, 1999
Ann McCombs carefully cuts the fabric around
the edges and corners of one of the ailerons from the Aichi Seiran.
She must ensure that all metal surfaces are covered and that there
is a good bond of the fabric with no loose parts which could rub
on the hinge.
74K
JPEG
©1999 Smithsonian Institution, #W1999CM0007
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March, 1999
Original
fabric from the Seiran. These very fragile shreds are invaluable
to the restoration specialist to ensure authenticity of the new
work. The "Do Not Touch" sign on the tours should be self-evident
given the nature of some of the materials on display.
104K
JPEG
©1999 Smithsonian Institution, #W1999CM0006
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106K JPEG
©1999 Smithsonian Institution
#W1999CM0005
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March, 1999
Original fabric from one of Seiran's ailerons. The round areas
are put in after the fabric is put over the structure and given
its initial coats of dope. Access holes are cut into the surface
which will allow the assembler to sew the surface to the ribs. The
hole is reinforced on the inside with a thin ring-shaped piece of
plywood, and the fabric is then cut radially into many short segments
which are "glued" to the wood ring with dope. Once assembly is complete,
the hole is then covered over with another piece of doped fabric
to keep dirt and water out while allowing access, should it be required.
In other words, after doing a beautiful job of covering the control
with fabric, the assembler then has to punch a hole in his or her
work and cover it over with a patch! |
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